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True Blood

2 Mar ’10 Leave a Comment Written by Juliet Bennett

Ok, so you’ve seen True Blood right? If not you should…

From wikipedia (I’m too lazy to write today):

True Blood is based on The Southern Vampire Mysteries (informally known as The Sookie Stackhouse Novels / Chronicles and retronymed the True Blood Series) is a series of books written by The New York Times bestselling author Charlaine Harris.

Within the fictional universe vampires have “come out of the coffin” (a term coined as a play on “coming out of the closet”), when scientists in Japan invent a synthetic form of blood called “Tru Blood.” No longer relying on human blood to survive, vampires are able to integrate themselves into human society (or “mainstream”).

How cool is this opening sequence!!!


Also from wikipedia:

Conceptually, Digital Kitchen elected to construct the sequence around the idea of “the whore in the house of prayer”[15] by intermingling contradictory images of sex, violence and religion and displaying them from the point of view of “a supernatural, predatory creature observing human beings from the shadows …”[14]Digital Kitchen also wished to explore ideas of redemption and forgiveness, and thus arranged for the sequence to progress from morning to night and to culminate in a baptism.[15]

In editing the opening, Digital Kitchen wanted to express how “religious fanaticism” and “sexual energy” could corrupt humans and make them animalistic. Accordingly, several frames of some shots were cut to give movements a jittery feel, while other shots were simply played back very slowly. Individual frames were also splattered with drops of blood.[15] The sequence’s transitions were constructed differently, though; they were made with a Polaroid transfer technique. The last frame of one shot and the first frame of another were taken as a single Polaroid photo, which was then divided between emulsion and backing. The emulsion was then filmed being further separated by chemicals and those shots of this separation were placed back into the final edit.[14]

The best thing about it is the metaphors and parallels to things happening in our world today. More about that next time.

The first two series are out and the third is on it’s way. So… check it out!!!


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Rights of Indigenous Peoples: A Personal Statement

As a "non-indigenous" Australian living on what was once the land of the Cadigal and Wangal Wangal communities, I wish to acknowledge the inter-generational responsibility that I feel toward the colonial past. As a beneficiary of "White Australia", to the Eora people of Sydney, I request your forgiveness. I stand in solidarity with your rightful demands to self determination and active participation in governmental decisions, and I hope I may learn from your eco-spiritual connection. May we, as Tom Trevorrow of the Ngarrindjeri puts it, learn to 'respect, care and share' the gifts that our planet offers us.

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